Blessed Summer Solstice – A Nest Within Briars is here!

The Summer Solstice has arrived, and with it, the new adventures of Shrike and Wren!

To celebrate, please enjoy this excerpt from Bookseller & Bone-Setter.

~

London, England

1846

Hullvardr perused the book-seller’s stall with an intensity that seemed to unnerve the book-seller himself. An unusually fine spring day had dawned over London, the sun so bright its rays penetrated the perpetual fog. Most other clerks on a Saturday afternoon would probably take the opportunity for a pleasant stroll through one of the myriad parks. If any bothered to buy books, they likely would have taken themselves to Holywell Street rather than the semi-respectable stall Hullvardr had found as an outlet for a gentleman’s reading club. Every quarter the clubbed gentlemen winnowed down the stock of their lending library and sold off the titles they didn’t wish to re-read in order to fund the acquisition of new material. All the better for Hullvardr, to whom all mortal literature felt new, and for Ephraim, who didn’t mind waiting a few months to read the latest novels.

Still, even with Ephraim’s assurances that he would happily read whatever his clerk chose for him ringing in Hullvardr’s ears, the latter took especial care in selecting such titles as he hoped Ephraim would enjoy.

Wagons and carriages rattled back and forth through the street behind Hullvardr’s back, some coming within scarce inches and lifting the hem of his frock coat in the breeze of their wake. He kept his tail wrapped snug around his left leg lest it fall victim to a passing wheel. The glamour covered all, so it remained up to him to protect what parts of him passersby couldn’t see. The mortal children playing in the street had far less concern for their own well-being as they darted to and fro to chase a shared hoop with sticks clutched tight in hand.

“Five shillings for Roderick Random,” the book-seller blurted in a gruff tone.

Hullvardr paused in flipping through the pages of said volume. A glance up to meet the book-seller’s gaze showed a man trying to hide his nerves with bluster. Perhaps the book-seller thought him a thief or a distraction to cover for an accomplice who would scuttle about filling their pockets with novels. Or perhaps the book-seller had no patience left for those supposed customers who’d read entire books on the pretence of “just browsing” and walk away buying nothing. Or, Hullvardr considered as he gazed into the man’s eyes, perhaps this was another case of a mortal man forced to confront his own attraction to masculine beauty and finding himself uncomfortable with his own desires. That happened more often than Hullvardr had expected upon his return to the mortal realm. He took no offense but did feel a sort of pity for them, tearing their own souls in twain for what purpose he couldn’t fathom.

Five shillings sounded a fair price, however, and the book seemed interesting enough. Hullvardr dipped his hand into his waistcoat pocket to pay.

A horse’s shriek tore through the fog.

Hullvardr whirled towards the sound. An omnibus which had rattled past now verged on over-turning as the geldings drawing it reared. The rolling hoop tangled amidst their hooves. The children who’d driven it had scattered—save one, who seemed frozen with fear as the horses threatened to bring their full weight down upon his head.

The book fell from Hullvardr’s hand as he bolted into the street. Fae fleetness brought him to the horses in three leaping strides. He had no command over steeds, but the boy he could grab and fling out of danger’s path.

And half a heartbeat after, the hooves fell upon him.

A dozen blows knocked him to the paving-stones. He curled in on himself and tried to roll out of their way. He made it—barely—but not before several spaded kicks struck his body, and one in particular hit his left leg with a sickening snap like breaking tinder.

One could hardly survive seven centuries altogether unscathed. And while he’d never yet tried his hand at the hunter or warrior life, he’d still had his share of slips and falls over the years. He’d cracked several ribs while ice-skating in his youth—which allowed him to recognize the same sensation now as the severed edges creaked with every breath. The pain in his leg was worse by far, but still not the worst pain he’d ever endured. That dubious honour belonged to a particular incident in his first summer of beekeeping wherein he’d enraged several skeps into swarming him at once. He tried to keep that in mind as he endeavoured to rise and bit back an agonized yelp.

By then, mortals had swarmed the scene. A pair of tradesmen seized the horses by their bridles whilst the driver regained command. Passengers gave belated cries of alarm at the chaos. A man in sailor’s slops halted before Hullvardr and proffered his hand. Hullvardr grasped it gladly and hauled himself upright, bracing against a lamp-post to stand.

The sailor went on his way. No one else seemed particularly concerned with Hullvardr, for which he gave thanks. The less notice he attracted now, the better. With another glance ‘round to ensure he remained unobserved, he dared a peek down at himself.

Nothing appeared amiss. Beneath the glamour, however… Hullvardr swallowed hard, glad he couldn’t see the extent of his own injuries. He could feel the broken ends of bone grinding together, nonetheless. Something between ankle and hoof had gone very, very wrong.

Wandering the mortal realm whilst wearing glamour was a bit like strolling along whilst eating an apple. Easy enough to perform both tasks in tandem without particularly concentrating on either. But choke on the apple, and strolling would suddenly become very difficult indeed. The glamour of straight trousered legs and practical boot covered up his caprine joints and cloven hooves. For now. He forced himself to look away.

A boy stood not far off—the self-same boy, Hullvardr realised, whom he’d shoved out of the horses’ path.

“You there, lad!” Hullvardr shouted, willing his voice not to crack with the pain.

The boy’s eyes flew wide. He didn’t appear ungrateful, exactly, but he did have the look of one about to bolt.

Hullvardr knew what would make him stay. “A shilling for you if you see me back safe to Staple Inn.”

~

You can read A Nest Within Briars wherever you find your fave books.

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~

That’s all for this Nothwell newsletter – and as always, thank you for reading.

– Sebastian

Strength with Luna Daye – Tarot Anthology on Right Here Write Queer

There’s a new episode of Right Here Write Queer waiting for you in your favorite podcast app!

Luna Daye (she/her) chats with RK Ashwick (she/her) about how she overcame adversity to write her short story Strength, a queer fantasy inspired by the tarot card of the same name. (The Rider-Waite tarot deck is not the first tarot deck in history, but it did popularize the use of tarot as a widespread fortune-telling tool.)

An Outstretched Hand: A Tarot Spread of Queer Stories includes…

The Star by Tess Carletta

A lighthouse keeper who influences the fate of her people by wrangling misbehaving stars back into place must remedy her own constellation.

The Hierophant by Carolina Cruz

A knight who was disabled in battle gives up on asking the gods for healing and turns to something dark in the woods for help instead.

The Chariot by RK Ashwick

Two witches vie desperately for a goddess’s blessing—but the fortune they seek might be right in front of them.

Strength by Luna Daye

A warrior is sent to investigate the rumors of a raided village and is forced to face the trauma of his past, and has to battle more than his grief after a terrifying discovery.

Temperance by Noah Hawthorne

A grieving mercenery searches for the tallest mountain to throw himself from, but a mystery and curious folk keep him grounded for a little while longer.

The Devil by Sebastian Nothwell

A repressed Victorian finds fleeting release in a fae courtesan’s arms—until iron chains threaten their growing bond.

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Luna Daye (she/her) is the author of the Fated Fae romantasy series as well as the epic fantasy series the Thoraius Saga. You can connect with her at her website: lunadaye.com

RK Ashwick (she/her) is the author of the Lutesong trilogy beginning with The Stray Spirit, as well as the cozy fantasy series Sidequest Row beginning with A Rival Most Vial. You can connect with her at her website: rkashwick.com 

Hurt/Comfort – Why Do We Love This Trope?

“You construct intricate rituals which allow you to touch the skin of other men.”

–Barbara Kruger, Untitled, 1981

~

“In the war film, a soldier can hold his buddy—as long as his buddy is dying on the battlefield. In the western, Butch Cassidy can wash the Sundance Kid’s naked flesh—as long as it is wounded. In the boxing film, a trainer can rub the well-developed torso and sinewy back of his protege—as long as it is bruised. In the crime film, a mob lieutenant can embrace his boss like a lover—as long as he is riddled with bullets. Violence makes the homo-eroticism of many ‘male’ genres invisible; it is a structural mechanism of plausible deniability.”

Tarantino’s Incarnational Theology: Reservoir Dogs, Crucifixions, and Spectacular Violence. Kent L. Brintnall.

~

(Expanding on this reddit AMA and the Right Here Write Queer podcast episode with Luna Daye, Noah Hawthorne, Sarah Wallace, and S. O. Callahan.)

What is hurt/comfort?

In the simplest terms, hurt/comfort is any scene in a story wherein a character is hurt in some way and subsequently comforted.

Examples of hurt/comfort I’ve enjoyed in fiction include…

Our Flag Means Death, wherein a ferocious pirate captain tenderly looks after his wounded peer, well before any emotional connection has been established between them.

The Terror, wherein a steward nurses his captain through alcohol withdrawals (and—spoiler—is subsequently nursed through scurvy by his captain).

(“Hey, there seems to be a nautical theme here,” you say. Yes. Because of the unique homosocial setting of the Age of Sail removing women from the scene, which forces men to step up into a caretaking role for other men, and also because the isolation of a ship at sea means medical care—including surgery—must occur on location and often at the hands of characters who are already deeply intertwined. Also because I’m the one making this list and I have a problem.)

The trope is particularly popular in fanfiction, for reasons that will be expounded upon later. According to Fanlore, hurt/comfort dates back to the Star Trek fandom of the 1970s. (An earlier term for the trope was “Get ‘em,” as in “attack.” A hurt/comfort fanfic centered around Spock, for example, would be called a “get Spock” story.)

A related term, “whump,” has undergone a curious evolution. Originally it meant a more severe form of hurt/comfort, heavier on the hurt and with less comfort—sometimes even no comfort at all. More recently it has come to be almost synonymous with hurt/comfort; not necessarily because of any changing attitudes towards the trope itself, but simply that tagging systems on most social media platforms struggle to parse the slash in hurt/comfort without breaking the hashtag. (Only very recently has tumblr fixed this issue. Instagram and the like haven’t bothered.) This makes finding hurt/comfort posts on social media extremely difficult. However, since there is significant overlap between hurt/comfort and whump content, users were able to find hurt/comfort content through the whump tag, and so they merged.

In my own works, Fiorenzo has the most hurt/comfort per page; appendicitis, wild animal attack, kidnapping, stabbing, poisoning… the list goes on. Mr Warren’s Profession has its fair share in boiler explosions, burns, broken bones, and sundry others, with bonus pneumonia in its sequel Throw His Heart Over. Hold Fast features horse-riding accidents and gunshot wounds. The Haunting of Heatherhurst Hall has just as much gore as you’d expect from Gothic horror, but probably far more caretaking than most. As for Oak King Holly King, let’s just say, antler-induced migraines—plus hypothermia and still more wild animal attack in the sequel Tales from Blackthorn Briar. It’s fairly obvious that hurt/comfort is my favorite trope and I doubt I’ll ever craft a story without at least a drop of it.

But why?

What makes hurt/comfort so compelling?

For me, hurt/comfort is inextricable from queer romance—and more specifically, from romance between men.

Male characters in Western media generally aren’t permitted to be emotionally vulnerable towards other men. It seems like the only time a man can show weakness is if he’s physically wounded and/or dying.

After a lifetime of absorbing that, the end result is that physical vulnerability and emotional vulnerability go hand-in-hand in my brain.

Furthermore, there’s almost never any catharsis after a man is shown to be wounded in TV/film. We are shown the violence, and we are perhaps even shown the rescue from said violence, but the recovery is limited in scope if it is depicted at all. I find that very unsatisfying. And hurt/comfort is, for me, a satisfying way to dwell in the catharsis that is denied us when we are only shown the “hurt” half of masculine vulnerability.

(This lack of comfort in most media wherein characters are hurt is also why this trope is particularly prominent in fanfiction. Fanfic exists to fill the gaps in existing stories, and comfort is a very common gap.)

To be loved when you are weak, to not have to hide your suffering, to be honest about your pain and have your pain not just witnessed but also sympathized with and empathized with and to the extent that it is possible alleviated, is frankly an exhilarating prospect, and to see it occur in fiction can grant the reader a powerful euphoria.

Hurt/comfort is also very powerful from a technical standpoint as a writer. Your narrative voice can say your characters care about each other. You can even make the characters say it out loud themselves. But nothing will be as effective as showing that care through the characters’ actions, and it is the showing that will make it feel truly real to the reader. And nothing says “I care about you” quite like holding someone’s hair out of their face while they puke, or spoon-feeding them soup while they’re too weak with fever to do for themselves, or picking through the pus and gore to clean their wound and staunch their blood. It’s precisely this unglamorous side of true love that makes it believable. And it’s that believability that compels me far more than a thousand flowery declarations of eternal affection ever could.

What is revealed about a man who tries to keep his walls up but is forced into a position of vulnerability by his circumstances? What might his friend, lover, or even enemy learn of him then? Still more character is revealed in how they react to his plight. If he expects scorn as a reward for what he perceives as a failure of his strength, what would it do to him to receive compassion in its stead? What could this new understanding between them spark?

I write hurt/comfort to answer these questions and to achieve the catharsis denied to me in almost all other media. In a world full of hurt, we all need some comfort.

~

Cozy Fantasy with Meg’s Tea Room on Right Here Write Queer!

There’s a new episode of Right Here Write Queer waiting for you in your favorite podcast app!

Meg (she/her) of Meg’s Tea Room joins cozy fantasy authors Noah Hawthorne (he/they), RK Ashwick (she/her), and Sarah Wallace (they/them) for a roundtable discussion on the subgenre’s growing popularity, what they’d like to experience in cozy stories going forward, and how to cope with cozy burnout—plus, all the cozy recs you could ever dream of.

Meg (she/her) is a fantasy bookish influencer creating cozy books through Bindery. You can follow along with the publishing journey for Recipes for an Unexpected Afterlife and get cozy on instagram @megs.tea.room, on TikTok @megstearoom, and on Bindery at cozyquill.binderybooks.com

Noah Hawthorne (he/they), also writing as Aelina Isaacs, is the author of the queer cozy fantasy series Adventures in Levena, beginning with Phantom and Rook. You can connect with him at their website: neshamapublishing.com

RK Ashwick (she/her) is the author of the cozy fantasy A Rival Most Vial and its sequel A Captured Cauldron, as well as the Lutesong trilogy beginning with The Stray Spirit. You can connect with her at her website: rkashwick.com

Sarah Wallace (they/them) is the author of the cozy Regency romantasy series Meddle & Mend beginning with Letters to Half Moon Street and coauthor with S.O. Callahan of the Fae & Human Relations series beginning with Breeze Spells and Bridegrooms. You can connect with them on instagram @sarah.wallace.writer

Oak King Holly King (audiobook!) on Right Here Write Queer

There’s a new episode of Right Here Write Queer waiting for you in your favorite podcast app!

Please enjoy this special sneak peek into the audiobook of Oak King Holly King – a gay Victorian fae romance by Sebastian Nothwell, read by Gary Furlong.

Shrike, the Butcher of Blackthorn, is a legendary warrior of the fae realms. When he wins a tournament in the Court of the Silver Wheel, its queen names him her Oak King – a figurehead destined to die in a ritual duel to invoke the change of seasons. Shrike is determined to survive. Even if it means he must put his heart as well as his life into a mere mortal’s hands.

Wren Lofthouse, a London clerk, has long ago resigned himself to a life of tedium and given up his fanciful dreams. When a medieval-looking brute arrives at his office to murmur of destiny, he’s inclined to think his old enemies are playing an elaborate prank. Still, he can’t help feeling intrigued by the bizarre-yet-handsome stranger and his fantastical ramblings, whose presence stirs up emotions Wren has tried to lock away in the withered husk of his heart.

As Shrike whisks Wren away to a world of Wild Hunts and arcane rites, Wren is freed from the repression of Victorian society. But both the fae and mortal realms prove treacherous to their growing bond. Wren and Shrike must fight side-by-side to see who will claim victory – Oak King or Holly King.

Oak King Holly King is a romantasy wherein a fearsome fae warrior destined for ritual sacrifice seeks a Victorian clerk fated to save him.

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Ch. 10 – Theo – transmasc MM romance on Patreon

Chapter Ten of Theo – a transmasc historical MM romance inspired by Little Women – is up on Patre♡n, wherein our heroes dance.

~

Theo could hardly hear the strings above the beating of his own heart. It hammered against his ribcage as if it would break free.

~

Joining me on Patre♡n will give you access to “drawer fic” – aka the 500k+ words worth of manuscripts that have been shelved until I figure out how to fix or finish them. You’ll also be invited to join an exclusive Discord server just for patrons!

A new chapter will go up every week. Missing (unwritten) scenes will be indicated by brackets describing what would probably happen if the scene were written. Example: [in this scene Aubrey and Lindsey ride a carousel]

Currently posting…
♡ Theo. (transmasc historical mm romance)

Completed works…
♡ the Aubrey & Lindsey solar fantasy project (mm)
♡ A Willing Canvas – John Halloway x Lord Cyril Graves (mm)
♡ The Train Job – Rowena Althorp x Rebekah (ff)
♡ Hold Fast 2 – Hold Faster (mm)
♡ Vampires Vampires Vampires (mmm)
♡ The Sebastian Nothwell Contemporary Expanded Universe (mmm+)

See you on Patre♡n!

Ch. 8 – Theo – transmasc MM romance on Patreon

Chapter Eight of Theo – a transmasc historical MM romance inspired by Little Women – is up on Patre♡n, wherein our heroes prepare for a ball.

~

“There!” Myrtle declared. “A perfect little woman!”

Against his better judgment, Theo opened his eyes.

A young woman stood before him. She had a strong jaw, a long nose, sharp cheekbones, full brows, and long lashes. Her chestnut hair had gathered in a pile atop her head, and the neckline of her gown sank very low indeed, leaving nothing in between to hide her slender neck or her shoulders as straight as a soldier’s. Indeed, her gown came down far enough to reveal the top of her bosom, not particularly ample but appearing moreso as her corset forced it up. Her narrow waist kept the fashion, as did her voluminous skirts. No trace of a smile graced her lips, though their curve and color compelled the eye regardless. She had altogether a proud stance, as if the cage of the crinoline could scarce contain her, and she seemed the sort of woman Theo would like to know.

Then her lips parted for breath in time with his own, and with a horrible jolt, he recalled the face he stared into supposedly belonged to him.

~

Joining me on Patre♡n will give you access to “drawer fic” – aka the 500k+ words worth of manuscripts that have been shelved until I figure out how to fix or finish them. You’ll also be invited to join an exclusive Discord server just for patrons!

A new chapter will go up every week. Missing (unwritten) scenes will be indicated by brackets describing what would probably happen if the scene were written. Example: [in this scene Aubrey and Lindsey ride a carousel]

Currently posting…
♡ Theo. (transmasc historical mm romance)

Completed works…
♡ the Aubrey & Lindsey solar fantasy project (mm)
♡ A Willing Canvas – John Halloway x Lord Cyril Graves (mm)
♡ The Train Job – Rowena Althorp x Rebekah (ff)
♡ Hold Fast 2 – Hold Faster (mm)
♡ Vampires Vampires Vampires (mmm)
♡ The Sebastian Nothwell Contemporary Expanded Universe (mmm+)

See you on Patre♡n!

Ch. 7 – Theo – transmasc MM romance on Patreon

Chapter Seven of Theo – a transmasc historical MM romance inspired by Little Women – is up on Patre♡n, wherein our heroes endure a Christmas.

~

“All right!” Annabelle cried. “Open your eyes!”

Theo dropped his hands. His well-practiced smile froze on his lips as his eyes fell upon the waist-high white cage assembled in the center of the room.

Myrtle and Mother stood on either side of it, holding it up and beaming with pride, while Annabelle hopped around them both, bursting with excitement.

“Isn’t it marvelous?” Annabelle cooed, looking as if she’d like to crawl under the cage’s domed roof herself.

“Yes,” Theo lied, and put all his effort into maintaining his smile as he stepped forward to touch the cage—a whalebone crinoline, to hang under his skirts. He hoped his shocked dismay would read as wonderful disbelief.

“Don’t pout just because it isn’t steel,” said Myrtle.

~

Joining me on Patre♡n will give you access to “drawer fic” – aka the 500k+ words worth of manuscripts that have been shelved until I figure out how to fix or finish them. You’ll also be invited to join an exclusive Discord server just for patrons!

A new chapter will go up every week. Missing (unwritten) scenes will be indicated by brackets describing what would probably happen if the scene were written. Example: [in this scene Aubrey and Lindsey ride a carousel]

Currently posting…
♡ Theo. (transmasc historical mm romance)

Completed works…
♡ the Aubrey & Lindsey solar fantasy project (mm)
♡ A Willing Canvas – John Halloway x Lord Cyril Graves (mm)
♡ The Train Job – Rowena Althorp x Rebekah (ff)
♡ Hold Fast 2 – Hold Faster (mm)
♡ Vampires Vampires Vampires (mmm)
♡ The Sebastian Nothwell Contemporary Expanded Universe (mmm+)

See you on Patre♡n!

Ch. 6 – Theo – transmasc mm romance on Patreon!

Chapter Six of Theo – a transmasc reimagining of Little Women – is up on Patre♡n.

~

Many times, when they thought themselves out of earshot, the staff discussed how foolish Leslie had been to try to skate across the middle of the lake, and whether the first freeze was always the safest or most dangerous ice of the year. Occasionally they spoke of Theo himself and his kindness in doting on the invalid—though one particular housemaid, he knew not which, considered him “too clever by half” in insinuating his way into the household with “an eye for the young master’s hand and the inheritance with it.” Once Theo overheard the nurse talking with one of the footmen and calling him “a perfect little angel of the house,” and had to force himself to think of it as the compliment she’d intended, rather than the sickening twist he felt in his guts.

~

Joining me on Patre♡n will give you access to “drawer fic” – aka the 500k+ words worth of manuscripts that have been shelved until I figure out how to fix or finish them. You’ll also be invited to join an exclusive Discord server just for patrons!

A new chapter will go up every week. Missing (unwritten) scenes will be indicated by brackets describing what would probably happen if the scene were written. Example: [in this scene Aubrey and Lindsey ride a carousel]

Currently posting…
♡ Theo. (transmasc historical mm romance)

Completed works…
♡ the Aubrey & Lindsey solar fantasy project (mm)
♡ A Willing Canvas – John Halloway x Lord Cyril Graves (mm)
♡ The Train Job – Rowena Althorp x Rebekah (ff)
♡ Hold Fast 2 – Hold Faster (mm)
♡ Vampires Vampires Vampires (mmm)
♡ The Sebastian Nothwell Contemporary Expanded Universe (mmm+)

See you on Patre♡n!

Fire Spells Between Friends with Sarah Wallace and S.O. Callahan

There’s a new episode of Right Here Write Queer waiting for you in your favorite podcast app!

What are some of the rewards and challenges of taking the road less travelled and writing a romance between an already-established couple? Sebastian Nothwell (he/him) interviews Sarah Wallace (they/them) and S.O. Callahan (she/her) about their upcoming queernormative cozy Regency romantasy, Fire Spells Between Friends.

Sarah Wallace and S.O. Callahan are coauthors of the Fae & Human Relations series, a queernormative cozy fantasy beginning with Breeze Spells and Bridegrooms.

Additionally, Sarah Wallace is the author of the queernormative cozy fantasy series Meddle & Mend, beginning with Letters to Half Moon Street. You can connect with them on instagram @sarah.wallace.writer

S.O. Callahan is also the author of the queer historical romantasy duology Fella Enchanted and Fella Ever After. You can connect with her on instagram @s.o.callahan